Music serves as a powerful reflection of individual identity, often aligning with deeper psychological traits. Prior research has established correlations between musical preferences and personality, while separate studies have demonstrated that personality is detectable through linguistic analysis. Our study bridges these two research domains by investigating whether individuals' musical preferences leave traces in their spontaneous language through the lens of the Big Five personality traits (Openness, Conscientiousness, Extroversion, Agreeableness, and Neuroticism). Using a carefully curated dataset of over 500,000 text samples from nearly 5,000 authors with reliably identified musical preferences, we build advanced models to assess personality characteristics. Our results reveal significant personality differences across fans of five musical genres. We release resources for future research at the intersection of computational linguistics, music psychology and personality analysis.

The advent of digital streaming platforms have recently revolutionized the landscape of music industry, with the ensuing digitalization providing structured data collections that open new research avenues for investigating popularity dynamics and mainstream success. The present work explored which determinants hold the strongest predictive influence for a track's inclusion in the Billboard Hot 100 charts, including streaming popularity, measurable audio signal attributes, and probabilistic indicators of human listening. The analysis revealed that popularity was by far the most decisive predictor of Billboard Hot 100 inclusion, with considerable contribution from instrumentalness, valence, duration and speechiness. Logistic Regression achieved 90.0% accuracy, with very high recall for charting singles (0.986) but lower recall for non-charting ones (0.813), yielding balanced F1-scores around 0.90. Random Forest slightly improved performance to 90.4% accuracy, maintaining near-perfect precision for non-charting singles (0.990) and high recall for charting ones (0.992), with F1-scores up to 0.91. Gradient Boosting (XGBoost) reached 90.3% accuracy, delivering a more balanced trade-off by improving recall for non-charting singles (0.837) while sustaining high recall for charting ones (0.969), resulting in F1-scores comparable to the other models.

The increasing availability of user data on music streaming platforms opens up new possibilities for analyzing music consumption. However, understanding the evolution of user preferences remains a complex challenge, particularly as their musical tastes change over time. This paper uses the dictionary learning paradigm to model user trajectories across different musical genres. We define a new framework that captures recurring patterns in genre trajectories, called pathlets, enabling the creation of comprehensible trajectory embeddings. We show that pathlet learning reveals relevant listening patterns that can be analyzed both qualitatively and quantitatively. This work improves our understanding of users' interactions with music and opens up avenues of research into user behavior and fostering diversity in recommender systems. A dataset of 2000 user histories tagged by genre over 17 months, supplied by Deezer (a leading music streaming company), is also released with the code.

Recent advances in generative AI have sparked renewed interest and expanded possibilities for music generation. However, the performance and versatility of these systems across musical genres are heavily influenced by the availability of training data. We conducted an extensive analysis of over one million hours of audio datasets used in AI music generation research and manually reviewed more than 200 papers from eleven prominent AI and music conferences and organizations (AAAI, ACM, EUSIPCO, EURASIP, ICASSP, ICML, IJCAI, ISMIR, NeurIPS, NIME, SMC) to identify a critical gap in the fair representation and inclusion of the musical genres of the Global South in AI research. Our findings reveal a stark imbalance: approximately 86% of the total dataset hours and over 93% of researchers focus primarily on music from the Global North. However, around 40% of these datasets include some form of non-Western music, genres from the Global South account for only 14.6% of the data. Furthermore, approximately 51% of the papers surveyed concentrate on symbolic music generation, a method that often fails to capture the cultural nuances inherent in music from regions such as South Asia, the Middle East, and Africa. As AI increasingly shapes the creation and dissemination of music, the significant underrepresentation of music genres in datasets and research presents a serious threat to global musical diversity. We also propose some important steps to mitigate these risks and foster a more inclusive future for AI-driven music generation.

Music plays a huge part in shaping peoples' psychology and behavioral patterns. This paper investigates the connection between national anthems and different global indices with computational music analysis and statistical correlation analysis. We analyze national anthem musical data to determine whether certain musical characteristics are associated with peace, happiness, suicide rate, crime rate, etc. To achieve this, we collect national anthems from 169 countries and use computational music analysis techniques to extract pitch, tempo, beat, and other pertinent audio features. We then compare these musical characteristics with data on different global indices to ascertain whether a significant correlation exists. Our findings indicate that there may be a correlation between the musical characteristics of national anthems and the indices we investigated. The implications of our findings for music psychology and policymakers interested in promoting social well-being are discussed. This paper emphasizes the potential of musical data analysis in social research and offers a novel perspective on the relationship between music and social indices. The source code and data are made open-access for reproducibility and future research endeavors. It can be accessed at http://bit.ly/na_code.

We are investigating the broader concept of using AI-based generative music systems to generate training data for Music Information Retrieval (MIR) tasks. To kick off this line of work, we ran an initial experiment in which we trained a genre classifier on a fully artificial music dataset created with MusicGen. We constructed over 50 000 genre- conditioned textual descriptions and generated a collection of music excerpts that covers five musical genres. Our preliminary results show that the proposed model can learn genre-specific characteristics from artificial music tracks that generalise well to real-world music recordings.

Research in music and AI has never been so prolific nor so exciting. However, a large majority of research is kept in university laboratories, with little connection to the outside world. I decided to have a deeper look to see what current AI jazz improvisation programs or applications exist which could help teachers and practitioners develop improvisational skills in their students and themselves. AI is still seen as something mysterious within music circles, so I hope as time goes by, to dispel some of this and to inform musicians/teachers on current AI realities. Indeed, it is becoming increasingly important for the wider world to become involved in discussions around these technologies, and to ensure that AI develops in directions that will serve people, rather than dominate or eliminate them.

Latin America, with its rich and varied cultural heritage, is a region widely known by its diverse musical rhythms. Indeed, music and dance constitute an important part of Latin American cultural assets and identity.2 Some of these rhythms, although famous worldwide, belong to specific regions; for example, samba is from Brazil, tango is from Argentina, merengue is from the Dominican Republic, corrido is from Mexico and vallenato is from Colombia, among many other examples. Most of them were created by the cultural interaction between people from African, Native American, and European cultures that shared their music and instruments. Those heterogeneous cultural characteristics made these music styles appealing to an international audience.

We investigate the association between musical chords and lyrics by analyzing a large dataset of user-contributed guitar tablatures. Motivated by the idea that the emotional content of chords is reflected in the words used in corresponding lyrics, we analyze associations between lyrics and chord categories. We also examine the usage patterns of chords and lyrics in different musical genres, historical eras, and geographical regions. Our overall results confirms a previously known association between Major chords and positive valence. We also report a wide variation in this association across regions, genres, and eras. Our results suggest possible existence of different emotional associations for other types of chords.

Your mother was right: you are special. While each of us is a perfect little snowflake in our own right, that doesn't necessarily mean we possess world-shaking skills. But back in the lab, data scientists are cranking out algorithms that exceed human capability on a regular basis. About a year ago, Facebook CEO Mark Zuckerberg predicted that artificial intelligence (AI) would generally surpass humans in core sensory capabilities (like seeing and hearing) in about five to 10 years. AI still can't "actually look at the photo and deeply understand what's in it or look at the videos and understand what's in it," he said at the time.